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“WandaVision” review: Elizabeth Olsen and Paul Bettany add power to Disney+



The first three episodes of the nine-part series proved its stingy with clues, so the audience should be warned of free riders in advance. This satirical framework-placing the central duo in the old sitcom-will also resonate with the audience, who will be able to appreciate the way director Matt Shakman and lead writer Jac Schaeffer have carefully copied, unless the children are weaned such as “The Dick Van Dyke Show” and “Bewitched” and will see visual information about married couples in separate beds.

The most familiar element is the pleasure to see Elizabeth Olsen and Paul Bettany return to “Wanda” and “Vision”, “Scarlet Witch”

; and artificial robots, their love affair from the “Avengers” “The manga page was transferred to the screen.

They were reintroduced in the black and white sitcom plot, somewhat harsh, reflecting a true love of the genre, and performed live by the protagonist. The show attracted many people familiar with early TV shows, including Canned Laughing, Kathryn Hahn as Nosy Neighbor, and the theme song by Robert Lopez and Christine Provided by Kristen Anderson-Lopez, the couple sent all this “frozen” music to their parents.

Considering where moviegoers saw these Avengers last, what really happened here? This is a basic mystery, and the production team is obviously not in a hurry to reveal it. Patience becomes a virtue, accepting the homage of sitcoms while staying vigilant, pay attention to the cunning Marvel references and cleverly placed colors, cracks may appear in the black and white veneer.

At the same time, the usual special effects pyrotechnics technology was brought into a more subtle victory in production design and costume design-a TV show that turned decades of TV history into an ally.

Overall, following the high standards established by Lucasfilm and The Mandalorian, “WandaVision” has become a shrewd and generally impressive business card for Marvel’s broader Disney+ strategy. Unlike smaller-scale shows made for ABC and Netflix, these projects borrowed the high-profile names from movies-and the still-popular “Loki” and “The Falcon and Winter Soldier”, and then emphasized characters rather than movies Blockbuster trap way.

Of course, only when you reach the end of the journey can you truly judge a structure such as “WandaVision”. For starters, even if the black and white fate of these heroes is not, the studio’s streaming vision looks very clear.

“WandaVision” will premiere on Disney+ on January 15.


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