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The Middling Monster movie lacks metaphor, meaning



There is a monster in “Come Play” that no one can fully grasp. If there is a potential metaphor for that monster, writer and director Jacob Chase (adapted his short film) is gaining a deeper meaning There are similar difficulties on the Internet.

Obviously, not all monster movies have to be significant, but when there are no deeper ideas here, what is left is just a routine, scary PG-13 horror story whose cast exceeds the film’s salary.

Azhy Robertson (“Marriage Story”, “Conspiracy Against America”) as Oliver, an autistic child who, like many children, spends most of his time staring at the screen, although when he is not watching SpongeBob , He used the application on the phone for oral communication. Oliver’s special needs may have strained the marriage of his parents Sarah (Jillian Jacobs) and Marty (John Gallagher Jr.), but their alienation is one of the several plots proposed in the movie , But most people ignore it.

One day, a story called “Misunderstood Monster”

; appeared on Oliver’s phone. It was all about a weird, bent over creature named Larry, who lives in another dimension. , I really hope Oliver will be his friend, so much. He wanted to divide the world into the “windows” (ie screens) of doors so that Oliver would live with him forever. Oliver did his best to convey the imminent danger, but it was not until his classmates and parents had personal contact with Larry that they realized the seriousness of the situation.

On a basic, weird level, here is the idea of ​​a movie, but as “Come Play” progresses, it feels more and more like Chase attracts and transforms us with an idea that will never come true. Is this a fable about contemporary life and the obsession of the silver screen among our opponents? Does Larry mean that Sarah and/or Marty are unable to cope with the challenge of raising Oliver? In the end, this is like a first draft, and its various concepts have not been pieced together.

As mentioned before, the cast goes far beyond the material: Robertson once again managed to express emotions and arouse empathy, even in characters with little dialogue, Jacobs and Gallagher Jr. built their relationship Enough subtext, and you want to watch another movie about their marriage. (Perhaps this movie can explain how Dad lived in such a huge house when they were working as parking attendants in the graveyard.) Winslow Figley (“Timmy Failure: Made a Mistake”) Brings a threat to class bullying and performs better after running in with Larry.

Larry himself has achieved great success in “Come and Play”, which is presented here with actual effects rather than digital effects. The spiny, disturbing puppet is the creation of Gary Pawowski of Jim Hansen’s Bioshop, who is the biological special effects artist Emily Fiola Parkes and special effects coordinator Hudson Kenny, not to mention the team disguised as puppets, which made him fall into, waste, and rob life.

Photographer Maxime Alexandre (“crawling”) effectively hid Larry in the shadows until he could be seen, and he effectively used the fact that in the movie, the human eye only You can see Larry, but not Larry’s phone or tablet.

If “Come Play” successfully installs itself as a scare machine or other effective genre exercise, then there is no time to sit down and ask about its intent or deeper meaning. But that is not the case.


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