“The troops involved here are invisible to gunshots, class property or political crusaders, but so is their strength. Destroy all barbarians, Will premiere on HBO on April 7.
The acclaimed producer refers to a series of myths that include white supremacy. This is the theme of a four-part series that explores the cruel methods and ideological defenses of Western colonization. In his latest project, Peck re-applied his experimental technique about writer and activist James Baldwin in the 2016 Oscar-nominated documentary. I am not your black, Challenge our collective understanding of the United States as a powerful and universally called “great”
Destroy all barbarians Peck tells frankly and poetically the stories of historical events such as the fall of the Ottoman Empire, the Anglo-Bohartan War, and the bombings of Hiroshima and Nagasaki. In addition to the writer and director, Peck also serves as the sole narrator. .Like his previous documentaries, the series also engages in dialogue with literature, film, and other works of art that are influential in condemning or spreading false narratives about colonialism and non-white populations, including Steven Lindkwee Sven Lindqvist’s 1992 non-fiction book, the series takes its name (also a line in Joseph Conrad’s novella Heart of Darkness, Mentioned in this series).
In the first part of the document series titled “The Disturbing Interference of Ignorance,” Pecker spoke admiringly about his late Swedish historian friend, who died in 2019 when he appeared in an archive video of the office in. Lindqvist hopes and is willing to expose the horror of colonialism through his famous book “The Sahara Desert” through the Sahara Desert. This is not only an inspiration for Peck’s current research, but also a productive model of interracial relations (if only white people). People who are eager to ask about their status in the world.
Similarly, most Peck documentaries emphasize knowing The truth of white supremacy, especially the use of genocide in the establishment of African and American colonies, rather than providing a road map to decolonization. It is speculated that this method will attract viewers who try the subject for the first time and hope to learn about major events in world history in a relatively short period of time.
It is not difficult to imagine that if the series premiered earlier than last summer’s “Black Life Issues” protests, it would appear on the anti-racist watch list. But for those who think they know our colonial history and understand how this history fits into the current conversation about dismantling the Confederate monument or ending capitalism or abolishing the police, Peck asserted throughout the series that we “lack” “courage” from the past.” To reach a conclusion”, or the mainstream historical narrative “needs to be challenged”, as if he was one of the few who publicly carried out such activities, he might feel working with non-white historians and secularists Complimented each other and lost contact. The current political movement led by people of color around the world.
That said, I’m not sure I would recommend Destroy all barbarians Regardless of the nature of the introduction of the series, or those who are exposed to the subject for the first time. Peikko’s travels in different time periods and all over the world, not to mention the list of countless politicians and military leaders who have been briefly mentioned and never discussed again, are difficult to track or even keep in a few minutes, because the series has changed from one time. The invasion moves on to the next invasion without establishing a connection between these violent events. What is particularly confusing is that in the first episode, Peck provides his audience with a set of basic terms that “summarize the entire history of mankind”, namely civilization, extinction, and experiment. He did not give up these terms, but it would be helpful to viewers if he tried to categorize the information in this way and follow the specified theme of each particular plot (which is a theme he often deviates from).
Peikko’s experimental impulse (at least fascinating) also hinders coherence.We are overwhelmed by all kinds of movie clips In town To Movie “Indiana Jones To The Wolf of Wall Street, Illustrations moving at an incomprehensible speed, animated maps and graphs, paintings, home videos of Peque’s childhood in Port-au-Prince, Haiti and the Democratic Republic of Congo, and fictional reenactments. Many of these clips are accompanied by Peck’s monotonous voice-over, and the audience may find it harsh because there is obviously no speaker. But especially the drama, especially the interaction between white immigrants and blacks and natives, felt particularly fruitless in the documentary, and it was misplaced.
“But especially the drama, especially the interaction between white immigrants and blacks and natives, feels particularly futile and misplaced in the documentary.“
In the third episode “Remote Killing or… How Do I Thoroughly Enjoy the Outing”, which begins to explain the role of weapons in imperialism, we spent a few minutes watching a fictional enslaved woman taking off the settlers Clothes (played by Josh Hartnett) give him a bath. After hearing a woman start screaming outside, she stared at the scene outside the window and saw four black men Hartnett who had been killed had just been lynched. This is the whole scene, and it is not clear what related plot themes or independent vignettes we should get from it. Similarly, the rest of the reenactment concept was poor and did not receive good support, including the embarrassing reimagining of blacks enslaving whites. Others are characterized by black and useless graphic depictions of the deaths of indigenous people, feeling that Peck is grabbing a specific part of the audience and ignoring those who do not need to imagine the viewer, for example, an indigenous woman was shot and was subjected to violence Later experienced other terrible acts of violence. She died, and it is believed that some kind of cruel atrocities occurred.
What stands out from all this chaos is the fascinating childhood of Peikko in Haiti, which adds an element of intimacy and warmth to a rather bleak film. Without a doubt, I am most interested in how Peikko’s growth in Haiti (and later education in Berlin) shaped his worldview. In the second part of the documentary, he briefly described his fascination with the pomp and environment of Catholicism in his childhood, and his disillusionment with religion after being beaten by a priest at school. Peck talked about the interrelationship between violence and religion in the Crusades, and how Europeans labelled non-Christians as barbarians, but there is no direct connection to this story, which is a loose ending. Nevertheless, Peck’s voice as a writer feels more confident and relaxed in these autobiographical parts of the film, and when he edits historical events, it becomes breathless.
In the early, Destroy all barbarians According to reports, this is a 15-part series. I can’t say whether allocating more time will help Peck’s project feel more or less crowded and chaotic. One thing that is certain is that if sexual violence is not used as the main tool of oppression, it is impossible to expose the ugly truth of colonization. Unexpectedly, although European colonists relied on rape to intimidate communities and maintain slavery, Peck’s documentary only hinted at the unauthorized relationship between white settlers and black, indigenous and Asian women (Lindquis Te also did not clarify the consequences of gender-based violence in the book). . In 2021, this negligence is almost like a slander.